Veryl Goodnight
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An Ancient Contract

oil on linen
20h x 32w in
50.80h x 81.28w cm
$9,500

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Two Points of View

oil on linen
21h x 27w in
53.34h x 68.58w cm
$6,500

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Born to Run
<div id="preview_artist"> Bronze</div> <div id="preview_artist"> 17 x 28 in</div> <div id="dimensions_second_line"> (...
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Fall Harvest-Life Size
<p> bronze ed 21<br /> 22 x 40 x 10 in<br /> (55.9h x 101.6w x 25.4d cm)<br /> $10,500</p> <p> prices subject to ch...
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High Country Summer-Maquette

bronze
13 x 12 in
(33h x 30.5w cm)
$2,100

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Prospector's Partner

bronze
16 x 19 x 10 in
(40.6h x 48.3w x 25.4d cm)
$4,200

 

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Ready to Ride Fragment

bronze on wooden base
9 x 7 in
(22.86h x 17.78w cm)
 

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The Bachelor Band

Bronze edition of 15
20 x 36 x 8 in
(50.8h x 91.44w x 20.32d cm)
$9,500

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The Newcomer

bronze edition of 25
34 x 34 x 15 in
(86.36h x 86.36w x 38.1d cm)
$6,000

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The Poachers-SOLD

oil on linen canvas mounted on baltic birch
12h x 16w in
30.48h x 40.64w cm
SOLD

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The Sage

bronze edition of 35
12h x 14w x 4d in
30.48h x 35.56w x 10.16d cm
$4,200

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Trail Guardian-SOLD

oil on linen mounted on baltic birch
12h x 8w in
30.48h x 20.32w cm
SOLD

Biography

Veryl Goodnight b. 1947, United States


Veryl Goodnight and her husband, Roger Brooks, live in the San Juan Mountains of Southwest Colorado.  The dramatic landscape, abundant wildlife, ranching community and the history of working animals of the San Juans, such as the burros and guardian dogs for the domestic sheep, provide endless inspiration for both sculpture and painting.


The essence of Goodnight’s work is the result of working from life.  Her sculpture studio is at the end of the barn and includes a “model run” to the west and an overhead door between the studio and the barn aisle. Goodnight is spending more and more time painting outdoors. Her painting studio, which is in the house, provides uninterrupted views and frequent wildlife out of every window. 


Goodnight graduated from high school in 1965. Universities at the time were emphasizing abstract art, which led her to pursue an art education by studying with individual artists who excelled in representational work.  Her earliest mentors included Jon Zahourek, who taught both horse and human anatomy. Other artists such as Ned Jacob influenced Goodnight’s earliest painting and Ken Bunn influenced her earliest sculptures. Veryl Goodnight believes that an artist should always consider themselves a student and has taken many workshops with noted contemporaries. Goodnight is a prolific reader and is always researching new subjects as well as seeking better ways to both paint and sculpt.

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